In true ‘90s underground trend, Dunye enlisted the photographer Zoe Leonard to make an archive of your fictional actress and blues singer. The Fae Richards Photo Archive consists of 82 images, and was shown as part of Leonard’s career retrospective with the Whitney Museum of Modern Artwork in 2018. This spirit of collaboration, and the radical act of producing a Black and queer character into film history, is emblematic of a ‘90s arthouse cinema that wasn’t fearful to revolutionize the past in order to create a more possible cinematic future.
“You say into the boy open your eyes / When he opens his eyes and sees the light / You make him cry out. / Stating O Blue come forth / O Blue arise / O Blue ascend / O Blue come in / I'm sitting with some friends in this café.”
Some are inspiring and thought-provoking, others are romantic, funny and just basic fun. But they all have one particular thing in frequent: You shouldn’t miss them.
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The patron saint of Finnish filmmaking, Aki Kaurismäki more or less defined the country’s cinematic output during the 80s and 90s, releasing a steady stream of darkly comedic films about down-and-out characters enduring the absurdities of everyday life.
Gauzy pastel hues, flowery designs and lots of gossamer blond hair — these are some of the images that linger after you arise from the trance cast by “The Virgin Suicides,” Sofia Coppola’s snapshot of 5 sisters in parochial suburbia.
Seen today, steeped in nostalgia with the freedoms of the pre-handover Hong Kong, “Chungking Specific” still feels new. The film’s lasting power is especially impressive within the face of such a fast-paced world; a world in which nothing could be more useful than a concrete offer from someone willing to share the same future with you — even if that offer is composed on the napkin. —DE
“I wasn’t trying to begin to see the future,” Tarr said. “I had been just watching my life and showing the world from my point of view. Of course, you may see a great deal of shit forever; you'll be able to see humiliation in the least times; you'll czech porn be able to always see a bit of this destruction. All the people is often so Silly, choosing this kind of populist shit. They are destroying themselves and the world — they will not think about their grandchildren.
Tarr has never been an full hd porn overtly political filmmaker (“Politics makes everything also simple and primitive for me,” he told IndieWire in 2019, insisting that he was more interested in “social instability” and “poor people who never had a naughty ladyboy in a wild action chance”), but revisiting the hypnotic “Sátántangó” now that Hungary is in the thrall of another authoritarian leader reflects both the recursive arc of recent history, plus the full power of Tarr’s sinister parable.
Depending on which Slash the thing is (and there are at least 5, not including enthusiast edits), you’ll get yourself a different sprinkling of all of these, as Wenders’ original version was reportedly 20 hours long and took about a decade to make. The 2 theatrical versions, which hover around three hours long, were poorly received, and also the film existed in various ephemeral states until the 2015 release with the freshly restored 287-moment director’s Lower, taken from the edit that Wenders and his editor Peter Przygodda put together themselves.
And yet it all feels like part of a larger tapestry. Just consider each of the seminal moments: Jim Caviezel’s AWOL soldier seeking refuge with natives on the South Pacific island, Nick Nolte’s Lt. Col. trying to rise up the ranks, butting heads with a noble John Cusack, as well as the company’s attempt to take Hill 210 in among the most involving scenes ever filmed.
The artist Bernard Dufour stepped in for long close-ups of his hand (to be Frenhofer’s) as phornhub he sketches and paints Marianne for unbroken minutes in a time. During those moments, the plot, the actual push and pull between artist and model, is placed on pause as you see a work take form in real time.
His first feature straddles both worlds, exploring the conflict that he himself felt being a young gentleman in this lightly fictionalized version puretaboo of his individual story. Haroun plays himself, an up-and-coming Chadian film director based in France, who returns to his birth country to attend his mother’s funeral.
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